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Reviews in caa.reviews are published continuously by CAA and Taylor & Francis, with the most recently published reviews listed below. Browse reviews based on geographic region, period or cultural sphere, or specialty (from 1998 to the present) using Review Categories in the sidebar or by entering terms in the search bar above.
Recently Published Reviews
Edward Dimendberg’s Film Noir and the Spaces of Modernity analyzes the logic and history of the modern metropolis through the eyes of its most faithful disciple and staunchest critic, the postwar noir film, especially its B variation, where “[t]he loss of public space, the homogenization of everyday life, the intensification of surveillance, and the eradication of older neighborhoods by urban renewal and redevelopment projects are seldom absent” (7). In the tradition of Siegfried Kracauer, Dimendberg is interested in the common, the everyday, and the epiphenomenal, expressions of mass culture that lend us insight into the unconscious logic of late-capitalist reason…
Full Review
April 27, 2005
The cadences of an auctioneer greet the visitor to an exhibition of Rachel Harrison’s work at the San Francisco Museum of Modern Art, but this is not Sotheby’s. It’s a low-rent auction. The bids come in one- and two-dollar increments, and there are no British accents. Intrigued by the galloping voice, you discover its source: a towering, amorphous, silvery blue, concrete mass entitled Hail to Reason. Although vaguely resembling Auguste Rodin’s Monument to Balzac in its tall, oblong shape, Hail to Reason does not represent anything in particular. Instead, it offers a lumpy surface punctuated by alcoves ideal for…
Full Review
April 26, 2005
This book is a richly illustrated surrogate for actually visiting a monument that, since 1585, has occupied the heart of Vatican City yet has been off-limits for ordinary citizens, then and now. Who knew that the square tower rising at the terminus of the northern flank of the Belvedere Courtyard contained a well-thought-out program of frescoes covering the walls of the seven rooms of this triple-story papal retreat? With this handsome publication, we can take a virtual tour and file through the rooms to admire a sequence of epic narratives and monumental landscapes that celebrate the signal achievement of its…
Full Review
April 26, 2005
Western readers will have come to know about mingei (folkcraft) theory through The Unknown Craftsman: A Japanese Insight into Beauty (Tokyo: Kodansha International, 1972), the English potter Bernard Leach’s adaptation of a number of essays by his friend, the philosopher and crafts theorist Yanagi Soetsu, who is the principal subject of Yuko Kikuchi’s book. Or, if such readers happen to be potters themselves, they might have learned the basics of Japanese folkcraft theory from Leach’s own A Potter’s Book (London: Faber and Faber, 1940). What they will not have discovered is that Yanagi’s work is itself based on a hybridization…
Full Review
April 25, 2005
It has been a long time since a major American museum has undertaken an exhibition of Spanish art, and none has tackled as ambitious a subject as Spain in the Age of Exploration, 1492–1819. Organized by the Seattle Art Museum and Spain’s Patrimonio Nacional, the exhibition has a strong thematic content that is presented thoughtfully in a handsome catalogue and in the display of some one hundred rare objects. Most of the works are drawn from the Spanish royal collection, and many have never been seen outside of Spain.
Prominent art museums in the United States…
Full Review
April 25, 2005
“Adjusting to modern life in New York circa 1900 meant learning to see skeptically. To function successfully, even to survive, every inhabitant of the modern city, every target of competitive marketing, every participant in the new mass culture, every beneficiary of modern science and technology, every believer in spiritual realms had to process visual experiences with some measure of suspicion, caution, and guile” (1). These bold and intriguing lines open Michael Leja’s recently published book, Looking Askance: Skepticism and American Art from Eakins to Duchamp. Exhaustively researched and brimming with original and brilliant interpretations, Leja’s book proposes a provocative…
Full Review
April 21, 2005
Quietly stirring within the walls of Davidson College’s Van Every Gallery is war, violence, and sadness. It is a welcome surprise for the Charlotte region, whose most controversial dialogue on art tends to concern which Impressionist exhibition to visit. Although Davidson College consistently presents reputable but safe artists, the gallery’s director, Brad Thomas, has here curated a show that provides the public with artwork taking on substantive subject matter.
The exhibition combines functional craft of textiles with conceptual purpose, bringing together three separate groups—Hmong, Afghan, and Chilean peoples—whose work treats the violence and injustice that surrounds…
Full Review
April 21, 2005
Time/Space, Gravity, and Light, which complements Einstein, the major science-history exhibition on view at the Skirball Cultural Center through May 29, 2005, showcases recent digital art and multimedia installations that explore the same physical phenomena that captivated Albert Einstein throughout his life. The projects in Time/Space also embrace the world made possible by quantum mechanical devices, such as computers and electronics, which Einstein never knew. Glenn Phillips, research associate and consulting curator at the Getty Research Institute’s Department of Contemporary Programs and Research, ably organized the exhibition and paced the different modes of viewing, which range from the…
Full Review
April 19, 2005
For the best part of the twentieth century, the work of Aloïs Riegl (1858–1905) was not accessible to the Anglophone reader. We have particular reason to welcome this highly readable translation of his Historical Grammar of the Visual Arts because this particular book was recommended by its original editors, Otto Pächt and Karl Maria Swoboda, as the best introduction to Riegl’s thought. They would have had good cause to know, as they were intimately involved in his first renaissance in Vienna in the 1920s.
Earlier translations of Riegl’s writings—Das holländische Gruppenporträt (The Group Portraiture…
Full Review
April 19, 2005
If there can be any consolation for the sad passing of John Shearman in August of 2003, it is the legacy of this magisterial book, which the author was able to see through to press before his death and which will continue to impact future scholarship for generations to come. Raphael in Early Modern Sources (1483–1602) succeeds Vincenzo Golzio’s venerable but outdated Raffaello nei documenti (Vatican City: Pontifica Accademia dei Virtuosi al Pantheon, 1936), a book Shearman greatly admired (he confesses in his introduction [2] that while his own book was taking shape over several decades, he affectionately referred to…
Full Review
April 19, 2005
Visually compelling and intellectually sophisticated, Mapping Sitting: On Portraiture and Photography, A Project by Walid Raad and Akram Zaatari presented a wealth of photographic materials from the collection of the Beirut-based Arab Image Foundation (AIF). Embracing current theoretical approaches to the display of visual culture, the exhibition, curated by two artists, offered a richly textured and highly nuanced picture of Arab photography and its relationship to questions of identity. If the history of photography from this region is as little studied as the artist-curators assert, then their show certainly constitutes an exciting opening gambit that should inspire further study.
…
Full Review
April 8, 2005
In her first book, published in 1993, Marcia Kupfer drew attention to the underdiscussed frescoes of Romanesque central France, reading the images as a field within which political tensions were played out and through which social divisions were reinforced. In her second book, The Art of Healing: Painting for the Sick and the Sinner in a Medieval Town, Kupfer returns to the same fertile ground but focuses still more acutely, concentrating on the wall paintings in the crypt of the collegiate parish church of Saint-Aignan-sur-Cher, in the diocese of Bourges. The result is a rewarding—but also difficult and speculative—work…
Full Review
April 7, 2005
Mesopotamia, in particular Assyria and Babylon, occupies a foundational place in Western cultural identity derived from classical and biblical texts. Material traces, however, were scarce until large-scale excavations in what is now northern Iraq began in the mid-nineteenth century. In Orientalism and Visual Culture: Imagining Mesopotamia in Nineteenth-Century Europe, Frederick Bohrer examines the complex reception of ancient Mesopotamia through the lens of reception theory and postcolonialism. With the “discovery” and acquisition of monumental sculpture from sites such as Khorsabad, Nimrud, and Nineveh in the 1840s and their subsequent introduction to European audiences, a new engagement with the “ancient Orient”…
Full Review
April 7, 2005
As the name implies, Sarai Reader 02: The Cities of Everyday Life is the second in a series of readers edited by the Sarai Group, a collaborative formed by fellows at Delhi’s well-known institute for social and political research, the Center for the Study of Developing Societies, and the media artists and critics at the Society for Old and New Media in the Netherlands and the Raqs Media Collective in Delhi. Sarai Reader 01 explored the contemporary contours of the idea of public domain, particularly in relation to changing forms of knowledge, proprietorship, and notions of publicity. Sarai Reader 02 …
Full Review
April 6, 2005
By acquiring nearly twenty thousand acres of countryside near the town of Frascati (twelve miles southeast of Rome) and refurbishing three residences on this land, the nephew of Pope Paul V, Cardinal Scipione Borghese, both created a papal retreat for his uncle and established a vast agricultural enterprise that was administered from the principal residence on this land, the Villa Mondragone. In Landscape and Identity in Early Modern Rome: Villa Culture at Frascati in the Borghese Era, Tracy Ehrlich contends that with these initiatives, Scipione Borghese made a comprehensive claim for his family’s nobility, seigniory, virtue, and elegance. Perhaps…
Full Review
March 30, 2005
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